Despite its position as one of the seeming few big-scale “original” sci-fi films to compete with franchises, sequels and reboots for box office real estate, “65” is Frankensteinian at best. Cobbled…
Despite its position as one of the seeming few big-scale “original” sci-fi films to compete with franchises, sequels and reboots for box office real estate, “” is Frankensteinian at best. Cobbled together from parts of “Jurassic Park,” “The Descent,” “Armageddon” and more, Scott Beck and Bryan Woods’ post-“A Quiet Place” level-up too strongly resembles its forebears to break new, much less particularly interesting ground.
Identifying the distant remains of the rest of their ship using a handful of relics from his technologically advanced culture, Mills and Koa make a difficult trek across terrain filled with quicksand, steam-filled geysers, life-threatening flora and a variety of dinosaur species. But even as they overcome each new hazard, a much bigger one appears: the asteroid that felled their ship is on a collision course with Earth.
But those quiet moments also give the audience to wonder: so a humanlike species from another planet, armed with the technology for interstellar travel came to Earth 65 million years ago, long before humankind existed — and the point is “just” that they’re trying to get back home? Seems like a long way to travel to go nowhere particularly meaningful.
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