Fendi and Diesel bite back at the notion of quietly tailored, wardrobe dressing.
At the heart of all this is really a fundamental question about creating in our ridiculous present. Everything is bad—we can all agree on that, at least!—but significantly, it is also chaotic, and ugly. Disorder and aesthetic displeasure pervade, from streaming media to architecture to fiction. Those qualities reflected not just in the appearance of, or discourse around, these cultural products, but in the execution of the products themselves.
Clothing that engages with the drama rather than trying to make its wearer hover above it is actually a triumph. But clothing has an added impetus and opportunity, which is that you put it on your body. It becomes a part of what you give off to the world, but it is also your way of participating, of being a citizen, and of offering commentary or adding to the conversation.
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