As the American Film Market enters its second year of online dealmaking, with films like Arclight’s “The Portable Door,” starring Christof Waltz and Sam Neill (pictured above) loo…
What’s your takeaway from more than a year of virtual markets?
I physically went to Cannes and Toronto, but we found that the pure acquisition side is a little more effective online. You don’t get the pleasure of meeting people from around the world, but you can, for better or worse, take meetings from 8 a.m. to 8 p.m. back-to-back. We’ve bought voraciously, so I think for AFM —especially because there’s no festival attached — it’s a pretty efficient way to do business.
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