Agathe Rousselle shares an intimate look at her getting ready process for the BFI London Film Festival.
s coveted Palme d’Or back in July—Rousselle is experiencing her moment in the spotlight and learning what it’s like to present a thought-provoking project to the world. “Once it’s out there, you have to relinquish control because the movie doesn’t belong to you anymore,” she shared on the phone from Paris. “It’s a bit like setting something free; I’m relieved to see that it’s taken on a life of its own, and now it belongs to the eyes of the viewers.
Rousselle’s tenacity eventually led her to Ducournau, who, fresh from the success of her provocative debut featurewas ready to bring another daring story to the big screen. Most actors begin their careers with minor roles, but Rousselle’s performance anchorsAs Alexia, a woman driven to obsession and murder by her attraction to automobiles, she’s at the center of the action.
The fearlessness Rousselle is able to display on screen may have something to do with her comfort in front of the camera, something honed during her time as a model. “In a way I know the fashion industry better than I do the film industry,” says Rousselle, who found time during Paris Fashion Week to pop up in the front row of shows like Louis Vuitton and Saint Laurent. Her familiarity with fashion also informed her experience of the collections.
Naturally, Rousselle wore her fresh-from-the-runway Vuitton look with swagger, contrasting the piece’s frilly details with a rock ’n’ roll beauty moment involving a platinum spiked coif and deep purple lipstick. Some might call her take on fashion “punk,” but Rousselle prefers not to label things. “I just wear what I like,” she says. “People always refer to me as a punk, but I think it’s just because I do as I please.
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