DPs from ‘Bardo’ and ‘Tár’ also speak about immersing their films’ viewers into the spaces and experiences that they captured onscreen.
The fifth contender is another veteran, Darius Khondji, who is nominated for his first collaboration with Alejandro G. Iñárritu. Netflix’sis the director’s deeply personal, introspective film following documentarian Silverio that moves between the real and surreal and was filmed on location and on stages in Mexico.
To do this, he also used ARRI’s large-format Alexa 65 camera and a range of approaches and gear to move the camera, including a Steadicam and Stabileye stabilized head. “We used a multitude of tools that would enable us to keep that feel — most likely every piece of grip and gimbal equipment out there, down to very basic handheld and putting the camera on the shoulder and running with the actors.”
She adds that careful attention was placed on transitions from scene to scene and in between time periods. “It was about how to integrate those without throwing the audience out of the film,” she adds. “The concerts are so mesmerizing and Austin’s so incredible that I had to be very cognizant that, at the same time, we are telling the story.
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