At Star Wars Celebration, VFX reps from the Disney+ show discussed the manufactured “debate” around using Stagecraft and Volume VFX sets like The Mandalorian.
“In a perfect world, we’d be able to shoot location and shoot old school, and then we’d use the Volume when we want to use it. There are times when the Volume would be really good for us, but the technology doesn’t exist to do both,” Tony Gilroy told’s decision not to use the tech was somehow an intentional slight against theproductions that had come before it. “Our system is completely different. We shoot everything with the actors, and we build out from there if we need to build out.
”VFX panel—featuring Visual Effects Supervisor Mohen Leo, Lucasfilm Visual Effects Producer TJ Falls, Special Effects Supervisor Richard Van Den Bergh, and ILM Visual Effects Supervisor Scott Pritchard—the team behind the show’s VFX revealed one moment making the series where at leastelements of Stagecraft’s screen tech was actually used: projecting Coruscant outside the windows of Mon Mothma’s embassy windows.
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