Filming fishermen working on dark Gloucestershire waterways at night is challenging enough technically for most cinematographers. But this feat, brought off with panache by “The Elvermen” DP Anna M…
Filming fishermen working on dark Gloucestershire waterways at night is challenging enough technically for most cinematographers. But this feat, brought off with panache by “The Elvermen” DP– competing in the Camerimage Documentary Shorts section this year with an atmospheric account of obsessive amateur eel hunters – was just half the battle.
So it was important to director Isla Badenoch, working with Glass Onion Films, to capture on screen the magical mystique of the tradition of eel hunting, MacDonald says. “It was quite fun, though – and very experimental,” MacDonald says. “And what was amazing about it was Isla and I had one moonlit night with Dave and then we had lots that was happening.”
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