Anne Hathaway opens up about working with her The Devil Wears Prada costar: 'Emily Blunt kind of changed my approach to acting.'
wears Francisco Chaydez’s silk taffeta cape, to order, [email protected]; Dolce & Gabbana’s cotton and elastane tulle gown, at Dolce & Gabbana, New York; select Neiman Marcus stores.
Ditching an interview in favor of hiding under her covers would not have been the most unreasonable of actions. Nevertheless, when Hathaway appears, precisely on time, she immediately launches into peppy and charming small talk about thecrossword puzzle under her arm and the bulky, antiquated tape recorder I’ve placed on the table. “Oh, hello, 1992!” she chuckles delightedly.
“At different stages of my life, I’ve felt I’ve been two ages simultaneously,” she continues in a slow, measured cadence. “I’d be a professional working adult and also a typical 13-year-old. Right now I have the distinct feeling that I’m two ages again, and the older part of me that I relied on many times in the past in difficult moments, that’s the part that got me here today. That’s the part that says, ‘You do your job, you keep your head up.
Hathaway has less to say about the beating she’s taking in the press. “What’s going on is so much bigger than all that,” she says. “Though it’s crazy that things like that Newsweek article have become small stuff.” One eyebrow arches with ironic resignation.
But even as she was sometimes overly assertive—though one does get the sense that Hathaway tends to exaggerate her own flaws—she was also racked with insecurity. “Robyn Hitchcock, a musician who worked on Rachel, has this great line in one of his songs: ‘I’m not an integrated person.’ That’s the way I feel most of the time,” she says with a grin that manages to be both bashful and sardonic. “I feel like I have to apologize for myself in front of most people.
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