| At Tanglewood: John Williams off-script and Renée Fleming to the rescue

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| At Tanglewood: John Williams off-script and Renée Fleming to the rescue
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Happy accidents and plenty of rain set the scene for Tanglewood programs featuring John Williams, Renee Fleming and more

”). From there it bursts and blooms and swings between somber and samba. As the LED screens over the lawn started tinting the crowd, and the sun started dipping in earnest behind the mountains, clarinetist Thomas Martin ripped 60 or so of the sickest bars I’ve heard in years.

Nelsons closed the night with the BSO and the TMC orchestra retaking the stage for Tchaikovsky’s “1812 Overture,” its finale hanging in your head like the smoke from the fireworks that shook the bats from the trees surrounding the parking lot. The artists in question — Martin on clarinet, Jessica Zhou on harp, Wendy Putnam on violin and Mickey Katz on cello — beautifully realized this 2011 quartet, composed as a gift for violinistfor that year’s La Jolla SummerFest. It’s an elastic, rhythmically surprising romp that indulges in the unique timbral potential of its instrumentation.

Later that evening, on a program with Strauss’s “Death and Transfiguration” and Ravel’s “La Valse,” we heard Williams lead the BSO in his “Premiered by Mutter at Tanglewood that year, it’s a slow-burner in four movements, clearing a path that turns into a runway for the German violinist. Opening with dewdrops of harp and what Williams calls a “quasi-improvisation” — i.e.

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