Alejandro G. Inarritu’s BardoMovie harnesses every cinematic craft to tell a story both epic and intimate ad
is a portrait of an immigrant — journalist Silverio Gama, a quasi-surrogate for Iñárritu portrayed by actor Daniel Giménez Cacho. Like Iñárritu, Gama moved his family to Los Angeles amid his own rise to cultural prominence, yielding a sense of divided identity. “Migrating is a way of dying, of being born again and reinventing oneself,” Iñárritu says.
“It’s not the definition that interested me, it was the presence of the actors,” Khondji says. “This camera has a great presence.” “For me, it is important to understand that there is another way of looking at the city,” Caballero says. “The downtown streets were all transformed. We worked on every facade so that every piece of graffiti, every bit of urban art, had a particular meaning. We went facade by facade, curtain by curtain, tone by tone. We left some stores the same, but others we transformed so that they could have a mixture of epochs.
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