Everyone wants a piece of the superhero genre’s oversize box office, which can engender a certain sameness among wannabe blockbusters. But standing out amid the well-defined brands of Marvel and DC…
Everyone wants a piece of the superhero genre’s oversize box office, which can engender a certain sameness among wannabe blockbusters. But standing out amid the well-defined brands of Marvel and DC is a challenge Sony’s “Bloodshot,” which bows in theaters March 13, met with a high-energy, realism-based approach to its 1,500 visual-effects shots. First-time feature [...
Filmmaker Adam Barton’s “The Boy Who Sold The World” documentary was set to premiere this Sunday at SXSW. Two weeks ago, Barton thought there was a zero chance the film festival would be canceled and as each day passed, the odds went up. “I had a brief moment thinking it was going to be a [...
After working together on the Netflix docuseries “The Keepers,” editors Kate Amend, Rejh Cabrera and Mark Harrison established a creative shorthand that came in handy when collaborating again on another docuseries: Apple TV Plus’ “Visible: Out on Television.” “We had constant conversations as a team to make sure whatever we were working on tied in [...
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