Bold, post-war era South Korean cinema screens at Harvard Film Archive

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Bold, post-war era South Korean cinema screens at Harvard Film Archive
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Co-curated with the Korea Institute at Harvard, the monthlong series features some of the most notable and provocative South Korean films of the 1950s and 1960s.

The film series opens with"The Flower in Hell." The 1958 film by Shin Sang-ok was filmed on a U.S. Army base and weaves in documentary footage. At its destructive center is Sonya, a brazen and free-thinking prostitute for U.S. military workers who seduces two Korean brothers each struggling to find economic livelihood in a post-war landscape.

With these changes came a transformation of South Korea, as it encountered Western concepts of individualism, capitalism and consumerism. But the U.S.-Korea alliance fostered a complicated dynamic, as the war-torn nation strove to define its own modern identity during the Cold War. Now, 70 years since the signing of the U.S.-South Korea defense treaty, a new film series at Harvard Film Archive spotlights the innovative and exploratory films that marked the post-war era in South Korea. Co-curated with the Korea Institute at Harvard University, the aptly-named“These films are incredibly daring in terms of their approach to storytelling,” said Haden Guest, director of Harvard Film Archive. “The Korean film industry was really starting to gain serious momentum at this time.

“Although the 1950s and ‘60s were surely a tumultuous period, at the same time, it was also an era where very rich navigation of South Korea’s pathways were explored by film directors,” said Bu, a postdoctoral fellow in the Department of East Asian Languages and Civilizations at Harvard University.

Notable in these films is the through line of empowered female protagonists who push the boundaries of traditional gender and cultural norms and transcend duty. It’s a remarkable and forward-looking representation for a society historically rooted in Confucian and patriarchal systems.One standout is Han Hyung-mo’s 1956 melodrama,"Madame Freedom." At the time, it was one of the most provocative, but commercially successful films in Korea.

The program also includes"The Widow," a 1955 film by Korea’s first female director, Park Nam-ok, who famously directed scenes with her infant child strapped to her back. It too features an empowered protagonist, a war widow raising a young daughter alone, who freely acts upon her sexual and romantic desires. The final 15 minutes of this film are lost due to damage to the original reel — but don’t let the missing ending prevent you from taking in this largely intact film.

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