Flowers & production design from Bridgerton Season 3
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Shondaland's sensational Bridgerton returns to Netlfix on May 16 for season 3, which focuses on the friends-to-lovers romance of Colin and Penelope Featherington . Still reeling from her best friend's discovery of her Lady Whistledown identity, Penelope decides to make some changes in her life to escape her mother's household and her own fate as an unwedded spinster.
Alison Gartshore: Well, stepping into the new role was the biggest challenge. I'd been an art director on seasons 1 and 2, but this was my first big production design job, so the whole time I was really learning how to do it. She really knows what she wants out of a scenario, so she'll give you a very clear brief, which is great for us to work with because there's no ambiguity there at all. She's very clear about what she wants to see, and then she gives you the freedom to go away and visualize that for her. And she'll either like it all or not like it.
Alison Gartshore: For Penelope particularly, we didn't change her spaces very much because her mom is still in charge of the household. Although she is striving to be independent and free from the yellow, shall we say, she hasn't quite managed it yet. That might develop further as we go through the seasons, but at the moment, for season 3, her spaces were pretty much as they are.
Alison Gartshore: Sometimes you just have a vision of what you want, and for the Full Moon Ball, I just had an idea in my head that I wanted to see the phases of the moon and express them in the floral arrangements. That was the brief to the set decoration team.
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