In case you hadn’t noticed over the last five or six decades, Bob Dylan can’t be contained, not by any particular genre, persona, creed or even voice, and the same can mostly be said fo…
, the production – same director, same creative team, mostly the same cast – was both mournful and celebratory at once, a downbeat tale of folks at their wits’ end but capable of moments of communal joy, holiday celebrations where the burdens of the everyday were at the very least shared, for a moment.
so lovely – as when a pair of young, broken-up lovers duet on a newly mournful version of the once sprightly– [that it] might have you wishing for some sort of theatrical replay mechanism.” Even on my second viewing I still wished for such a mechanism, and, yes, especially for the gorgeousduet, which should certainly raise the profiles of its young performers Colton Ryan and Caitlin Houlahan.
Also in the mix: an elderly shoe salesman who has offered to marry the in-a-bind Marianne; Gene’s ex-girlfriend; and a kindly, morphine-addicted doctor who hands out the feel-good medicine much too freely when he’s not narrating directly to the audience, a laThe excellent Broadway cast also includes Todd Almond, Jeannette Bayardelle, Robert Joy, Marc Kudisch, Luba Mason, Tom Nelis, Austin Scott and Matt McGrath.
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