The Brazilian supermodel talks to THR about some of her most head-turning looks from the Palais red carpet.
“The carpet experience starts before you even arrive at the Palais,” the Cannes veteran tells. “Driving down the Croisette can be a bit hectic, but as soon as you hit the carpet, you get the adrenalin rush, and it feels like you are in a dream.”
The fantasy has been real for the supermodel from Brazil for more than a decade. Ahead of her return this year, Ambrosio dished details on some of her head-turning looks, how it feels to face the crush of photographers and her favorite spot to lounge by the pool.
Norge Siste Nytt, Norge Overskrifter
Similar News:Du kan også lese nyheter som ligner på denne som vi har samlet inn fra andre nyhetskilder.
Cannes Flashback: David Bowie Made His Croisette Debut in 1978 With ‘Just a Gigolo’After attending the French festival for the David Hemmings movie, the music superstar later returned with films directed by Nagisa Oshima and Tony Scott.
Les mer »
All the Best Fashion From the 2022 Cannes Film FestivalOne of the glitziest red carpets in the world returns—as do the A-listers and haute couture.
Les mer »
Cannes Diary: Is Masking Up the Biggest Fashion Faux Pas at the Fest This Year?COVID protocols were everywhere at last year’s festival. This year? Not so much. For festgoers still on guard against the pandemic, attempts to avoid a super spreader event seem downright passe.
Les mer »
India’s R. Madhavan Talks Cannes Market Film ‘Rocketry’: ‘I Feel A Sense of Pride’ (EXCLUSIVE)For acclaimed Indian actor R. Madhavan ( (“Alai Payuthey,” “Tanu Weds Manu”), making his directorial debut, “Rocketry: The Nambi Effect,” literally required an understanding of rocket s…
Les mer »
31 Iconic Cannes Beauty Moments: From Salma Hayek to Angelina JolieOn the red carpet at Cannes Film Festival, the beauty looks have always treaded a skillful line between glamour and ease.
Les mer »
Cannes Hidden Gem: Speculative Sci-Fi Gets the Social Realist Treatment in ‘Plan 75’Shocked by a dwindling sense of empathy in her native Japan, director Chie Hayakawa imagines a trenchant scenario in which the government coaxes the elderly into voluntary euthanasia to address the country's aging population.
Les mer »