The camera team had to learn the songs and choreography that Austin Butler was to perform so they'd know where he was going -- and he'd know where they were.
The onetime Disney actor knew he had to wait for the right project. And when ‘Elvis’ came along, he was ready to go all in.“I felt that represented a time with the audience where things were switching in a bigger way,” she says. In photographing the era, Walker asked lens specialist Dan Sasaki at Panavision to adjust the lenses to what they would have looked like in the ‘70s.
For the ’68 “Comeback Special,” where Elvis sings a number of songs including a poetic performance following the assassination of Sen. Robert F. Kennedy, Walker says she meticulously replicated existing footage while adding cinematic flavor to the shots. “I studied the camera angles, the lighting, when they’d zoom in or out, to match exactly what they did. We did the same for the Russwood and International Hotel concerts.
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