Crypt TV CCO Kate Krantz On The Evolving Horror-Driven Platform And The Need To Spotlight Women In The Genre Space

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Crypt TV CCO Kate Krantz On The Evolving Horror-Driven Platform And The Need To Spotlight Women In The Genre Space
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Since its inception in 2015, Crypt TV has been producing original horror-themed content and looking to build a universe of monsters that are all interconnected — a Marvel universe of monsters, if y…

Krantz finds herself in am exec position in a space that is primarily male — something that isn’t uncommon in the industry, but in horror it seems to be very noticeable. Prior to Crypt TV, Krantz cut her teeth at WME and Disney, which she says cultivated her own aesthetic as a curator.Outfest Fusion Sets 'El Principe', 'Driveways', 'Twenties' For 17th Annual LGBTQ Festival

She continued, “We started from purely a concept to create a home for the international, scary-loving community. We’ve scaled that vision to the level of mass reach and influence with over 1.5 billion views of our content due to the innovation and collaboration of young, authentic storytellers.”Sunny Family Cult, among others.

“It’s our responsibility to honor the direct connection we’ve cultivated with our fans, a huge part of that audience under 24 years old,” she points out. “We haven’t lost the start-up DNA we had day one, that ability to pivot quickly in an effort to prioritize audience needs is paramount as we evolve with our young viewers and make way for the generations that follow them.”

DEADLINE: There is a large absence of inclusivity — specifically women — in the horror and genre space, but with you as CCO, what are you doing to add more marginalized voices to the conversation when it comes to the mix?I think there’s an overwhelming amount of female voices in the genre space, difference is their early potential is not as readily recognized nor as supported as men. We haven’t lowered the bar at any point to include women in our process.

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