“Let It Be” director Michael Lindsay-Hogg couldn’t be happier with Peter Jackson’s “Get Back,” the three-part, nearly eight-hour miniseries made up of outtakes from his original Beatles documentary…
’s “Get Back,” the three-part, nearly eight-hour miniseries made up of outtakes from his original Beatles documentary, which arrived on Disney Plus two weeks ago to much fanfare.
Instead, it was the best news Lindsay-Hogg could’ve heard. “I didn’t want to go back and re-cut it myself,” he explains. “I had been there and done that 50 years ago.” Although it was never confirmed )his mother’s best friend, Gloria Vanderbilt, told him after her death that’s what Fitzgerald told), it’s hard not to see Welles in Lindsay-Hogg’s cigar-chewing, cock-of-the-walk director, as portrayed in Jackson’s cut, becoming a character in his own footage, insisting the band perform among ruins in Libya as a climax to the film.
As shown in “Get Back,” various locations were discussed, including the Cavern , Primrose Hill or the aforementioned amphitheater in Libya. After bolstering the roof with some wooden pillars , Lindsay-Hogg proceeded to set up a 10-camera shoot, five on the roof, three down in the streets to capture public reaction, one on the building across the way for wide shots and a hidden two-way camera in the Apple lobby, which picked up the drama with the London bobbies.
“That’s a good question, because I know they all smoked pot at the time,” said Michael. “It was mainly what they used to call ‘ciggies’ in those days. I don’t remember seeing any stuff being rolled or smelling it. But when they were working, they needed a nicotine fix.” “Remember, they were used to performing from 8 at night to 4 in the morning straight through in Hamburg, six nights a week, with just a break to go to the bathroom. What was great was the four of them together.”
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