Does 'Tár' tell us anything about Mahler's 5th Symphony?

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Does 'Tár' tell us anything about Mahler's 5th Symphony?
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Gustav Mahler's Symphony No. 5 is having a moment — or more accurately, another moment. It’s back in the spotlight as its darkest music haunts the Oscar favorite, ‘Tár.’

, questioning everything from the film's choice of a woman in the lead role to the accuracy of its arcane classical-world details to what it says — and does not say — about the Fifth Symphony itself. Mahler composed it over a two-year stretch when his life was about as good as it would get: After a serious health scare, he settled back into his job directing the illustrious Vienna Opera, built a lakeside villa for summertime composing, married Alma Schindler and had two daughters.

The third movement, technically, is really complicated for the orchestra. When you are conducting an ensemble you need things to align, but here they are not supposed to. If you make it all align vertically it sounds too controlled — and yet it shouldn't sound messy. Then you have the Adagietto, and that is wonderful, to work with the sound of the strings. In the fifth movement, you have all of this color happening, then you have a klezmer-like sound in between. So it's complicated.

It could be they wanted to make the point that for this fictional character, Tár, the music was the actual"monster" to be conquered. In reality, this is not the biggest Mahler Symphony, not the one with the biggest orchestration or the most musicians on stage. With the Eighth Symphony, for example, you can have [as many as] a thousand voices and then the orchestra. I think that in the movie it is specific to her. It's not really about the piece, but about the character.

The repertoire is so vast. There are things that I want to get to, but it's not that I want to wait — Icycle every day. Clearly Mahler is an important composer for you right now. What does the Fifth Symphony ultimately mean to you, now that you're so immersed in it?

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