Daniel Roseberry pared things back to just black, white and gold — to magical effect:
According to the show notes, the designer decided to strip away color and volume from his designs during the fitting process. "All of the tricks that couture designers use to communicate grandeur and craftsmanship — big silhouettes, glorious poufs of fabric, huge volume — felt hollow," he wrote. "Instead, I wanted to see if we could achieve the same kind of drama and otherworldliness without relying on those tropes.
The relative simplicity of the expertly tailored clothes — sophisticated-yet-daring dresses and jackets in black and white — let these pieces shine, but without falling all the way into the background. The result is beautiful and magical, in the way only couture can be. Roseberry also wrote about how designing this collection helped remind him why he loves fashion: "It isn't for the celebrities. It isn't for the likes. It isn't for the reviews. It’s because, when it’s done right, when it has something to tell us, it can help us feel the inarticulable. It’s because it still has the power to move us."
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