Even before Parasite, Bong Joon Ho blended art and entertainment beautifully
, which dramatizes class struggle through the elegant, if obvious, metaphor of a train.
Set in a future in which a botched attempt to stop climate change froze the world, humanity’s remaining survivors are all packed into the titular locomotive, with the haves at the front and the have-nots, led byfranchise — a set piece in which the speeding train winds around a mountain is exquisite in its choreographed violence — and a class parable for our century, with all the powers of filmmaking weaponized to depict the vast chasm between rich and poor with a surplus of visual flair.
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