'Prolific experimental percussionist and electronic musician Claire Rousay has created a sprawling body of work that clunks and patters somewhere between noise and silence, music and abstraction.' | nberlat
Prolific experimental percussionist and electronic musician Claire Rousay has created a sprawling body of work that clunks and patters somewhere between noise and silence, music and abstraction. Her new release,, consists of two 15-minute ambient explorations that rustle and dissolve in gentle lyrical spasms. She’s joined by the marvelous Marilu Donovan of New York duo Leya on harp, Theodore Cale Schafer on piano, Mari Maurice on electronics and violin, and Alex Cunningham on violin.
Rousay previously collaborated with Cunningham on 2020’s clattering and abrasiveoccupies the opposite end of her sonic palette—it’s a mixture of classical and new age. Romantic sections that recall Debussy lilt and dream and then give way to quiet thumping and muttering, as if the performers had grown tired of playing and decided to get up and drag their instruments around the loft for a while.
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