Film looks back at Fanny, '70s rock band that defied racial, gender barriers

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Film looks back at Fanny, '70s rock band that defied racial, gender barriers
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The group, founded by two Filipina American sisters, was praised by David Bowie and has been cited by artists like Bonnie Raitt and the Go-Go’s as a major influence.

As they rose to fame in the San Francisco music scene, the band quickly dazzled superstar contemporaries like The Kinks and David Bowie, whothat Fanny was “one of the finest [expletive] rock bands of their time.” Their success was all the more dazzling because they did so while pushing back against the restrictions placed on female musicians of color in that era.

As the film shows, no one was more surprised that rock music would bring a group of young Asian American women together than the band members themselves. An early iteration of the band consisted of June Millington, who sang and played lead guitar, and Jean Millington, who played bass; fellow Filipino American Brie Darling on vocals and percussion; keyboardist Nickey Barclay; and drummer Alice de Buhr, who were all still in their teens at the time.

“There was a sort of secret ‘don’t ask, don’t tell’ policy that was unspoken and with me my whole life. If somebody had asked me, I would have talked about it, but nobody did,” said Millington. “But that 'don’t ask, don’t tell' policy was with me my whole life. We couldn’t talk about being Filipino. Why? Because people didn’t want to see it. We couldn’t talk about racism or sexism.”

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