During the work stoppages, an influx of well-capitalized indie producers — A24 and Margot Robbie’s LuckyChap among them — are bringing urgency to bidding wars over hot podcasts, articles and books.
In mid-May, with the writers strike still in its infancy, UTA partner and media rights co-head Jason Richman found himself trying to gauge the industry’s appetite for
dealmaking. A few years earlier, indie studio A24 had scooped up the rights to his client David Gauvey Herbert’s 2021 Esquire article, “Daddy Ball,” but the option had
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