Filmmaker RileyStearns talks DualMovie and the added bonuses that come with casting KarenGillan.
✖ Thanks to earlier efforts like Faults and The Art of Self-Defense, filmmaker Riley Stearns has established a unique cinematic niche for himself, as he manages to deliver experiences that are just absurd enough to elevate audiences from their own reality, without sacrificing the grounded themes he explores.
My mom is always the first person to read my scripts, because she's a really good proofreader. She read the script and she really liked it, but then the first thing she said was,"You know that's not how you spell 'duel,' right?" And I was like,"Mom, are you kidding me? You think that I'm spelling it that way?" I've even spelled it the other way in the body of the script. So yeah, very funny.
I love that, because when I was talking to [composer] Emma [Ruth Rundle] about the music earlier this week, we both resonated with that idea of killing your former self, that much bigger, headier, existential stuff, and I love that the nugget was like,"I want one person playing two people." How it was a practical, artistic movie idea. I love that.
I don't. I think that Faults is basically in our world, only ever so slightly stylized. I feel like it's pretty much -- it takes place in our reality. And then, Self-Defense and Dual, I feel like could be universes just side by side, but I just feel like they ... I like to think of every world as its own thing. I'm not a big referential person. I don't put pop culture stuff in my movies. Dual has a song, obviously, that's a pretty well-known song in it.
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