He also spoke about what it's like getting creative input from Neil Gaiman.
The Big Picture Now that Season 2 of Good Omens is out for everyone to watch, fans have been poring over absolutely every detail that makes up the series, looking for Easter eggs and clues that build on Neil Gaiman’s ethereal world. From the interior of Aziraphale’s bookshop to the look of heaven and hell, every square inch of the series is packed with detail, creating a magical world where anything’s possible – even hiding an amnesiac archangel in your upstairs bedroom.
COLLIDER: I absolutely love this show, and I really love the look of it. Getting to watch Season 2 and getting to watch this world expand was really interesting for me. Obviously, you were the production designer on Season 1, but this season expands this world quite a bit.
But what a joy to be able to do something like the French restaurant! And the alleyway always existed to the music shop, I just put it as an entrance to the music shop because I wanted the music shop to be away from the street as well. But to put the magic shop in and the pub and the record shop? Good Lord! [laughs]
I think in the end, what really sort of made it interesting to me was that I literally gave the set to the lead graphics designer, and said, “Okay, this is your world. What can you do with it?” And she created everything, like 80 different bands, because copyright's so difficult. She created 80 bands with album covers and songs that went with the albums and huge amounts of humor.
So, Neil never says, “Oh, I saw it this way,” or, “I saw it that way.” He never says that. He walks off the concept art, and he says great complimentary things on the concept art. Then when he walks into the set, he either has a little moment where he wells up a little, or he just gets very joyful [and] wanders around and reads and looks at everything. He feels the space.
It comes right down to having 7,000 real books in there and not one fake book. It comes down to the smell of all the books. And as much as that sounds like, you know, “Why would you talk about the smell of books on a television series or a piece of cinema?” the fact is that the crew feel it, the actors feel it, we all feel it, and that respect runs right through the whole thing like a domino effect.
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