Gospel, Hardcore Cult Faves, Continue Their Great Prog-Punk Gene Splice on 'S.R.O.'

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Gospel, Hardcore Cult Faves, Continue Their Great Prog-Punk Gene Splice on 'S.R.O.'
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Gospel have reunited sporadically during the past decade-plus, but now they’re finally ready to unveil the follow-up to 'Moon.'

suggest, it’s a worthy successor in every way. “S.R.O.,” a darkly elliptical meditation on aging that packs a sidelong suite’s worth of drama into six thrilling minutes, finds the band’s prog and punk sides in exquisite balance. It opens with a dreamlike synth arpeggio from keyboardist Jon Pastir. The rest of the band — Dooling, bassist Sean Miller, and drummer Vinny Roseboom — then join him for a spiraling, steadily climbing waltz-time overture.

”who combines the dexterity of a young Bill Bruford with the volatility of a hungry hardcore basher, then accelerates into a wild-eyed blastbeat. His fury perfectly mirrors Dooling’s screamed invective, perhaps a reflection of the narrator’s tortured internal monologue: “I hope you realize you’re a bastard/But your father’s still around/And his straight white version of events isn’t how this shit goes down.

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