How Sally Wainwright’s most internationally popular show to date evolved from police procedural to psychological study of Catherine Cawood.
When I was working on the first series of, it was meant to be a bit more of a cop show. The original concept was that there’d be ongoing crimes every week, the story of the week. And in practice, when I actually sat down and wrote it, that first concept went out the window because the story with Catherine and Tommy just took over completely.
You’ve said that your female characters arrive “fully formed” in your imagination. Can you break that down as it pertains to Catherine Cawood? Let’s talk about the last episode in some detail. When Tommy is sitting in Catherine’s living room crying and looking at the photo album, was that a point to humanize him a bit?
It was quite a tough scene to write because, again, it was that balance of not ever allowing it to become sentimental, never allowing us to be too soft on Tommy. I had Sarah read the first draft of that scene and she came back with some notes which were really helpful. And I did change it based on what she said.I can’t remember anything specific because she came up to my house, it was like two days before Christmas, and we just spent all day talking about it.
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