A French brand through and through, the luxury label decamped to lower Manhattan for a chic show by the East River.
What do supersize traffic lights, Caroline Polachek, and a very distinct shade of New York City yellow cab have in common? As it turns out, Hermès.
The Parisian luxury brand showed the second chapter of its fall 2024 show—this time, dubbed resort 2025—on June 6 at Pier 36 in Manhattan. Inside the venue, those oversize yellow traffic lights were strung up everywhere, bathed in cool blue light. Before the show began, clients and VIPs—Usher,, Jenny Slate, Lily Allen—wandered through the show space, plucking coupe glasses of Champagne off waiters’ trays, wielding their Birkins and Kelly bags.
Many of the models wore little black leather mariner hats. Scarlet pants were paired with mustard-yellow jackets and printed silk scarf tops. Black leather trousers came high-waisted, boiler suits were rendered in that earthy yellow, and rich brown leathers meshed with brilliant saffrons. It was as if the two style personalities of New York and Paris were having a dialogue.
, as a Scottish saddler once called it—it has settled, over the course of more than a century, into an iconic Hermès motif of vibrantly earthy tones.” Taking the word in a more literal direction, just seconds after models finished their final walk and Vanhée took her bow, curtains behind the second row rolled back to reveal a live DJ playing Laurie Anderson’s “O Superman” in a booth whose signage read, “Hermès Manhattan Rocabar.
New Yorkers have distinct points of reference for their personal style, which Hermès really nailed. Take, for instance, the endless combinations of bags slung over the shoulders, worn strapped around the waist, as mini backpacks, and deliciously chunky clutches propped in the crook of the elbow.
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