There’s a hint of John Ford to “High Ground,” a sinewy, sun-baked faceoff between indigenous and invading armies in the Arnhem Land wilderness of Australia, though by now we proba…
,” a sinewy, sun-baked faceoff between indigenous and invading armies in the Arnhem Land wilderness of Australia, though by now we probably need a better word than “western” for films that situate the tensions and tropes of Hollywood operas in their own distinct geographical context.
The Northern Territory tourist board will certainly be pleased with a film that doesn’t dim the region’s ravishing natural beauty at any turn, even when its lavish greenery is sprayed with the blood of conflict. Johnson and cinematographer Andrew Commis open the film on a vast, swirling shot around a towering rock formation in the thick of what is now the Kakadu National Park.
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