The stars play sisters reunited in the New York City apartment of their childhood to care for their father during his last days of home hospice care.
— all playing both to and against type in bracing ways — it’s the writer-director’s strongest effort since, Jacobs’ new movie deals with the big stuff: life, mortality, family, real estate. The last of those, in this case, is a rent-controlled co-op in lower Manhattan, where three women have reunited to be with their father during his final days of home hospice care.
With poison-tipped stabs of humor and swells of feeling,shakes off the familiarity of its setup and the inevitable shadow of its thematic forebears . Despite any dread a skim of the synopsis might provoke, the film is free of the mopey melodrama or Sundancey quirks that often make the dying-parent/estranged-sibling screen subgenre so dire. It’s wry, vivid and moving in unexpected ways.
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