How ’Bad Sisters,’ ‘The Diplomat’ Shot in Tourist Landmarks for Maximum Effect

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How ’Bad Sisters,’ ‘The Diplomat’ Shot in Tourist Landmarks for Maximum Effect
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The locations featured in this year’s batch of shows featuring Emmy-nominated actresses can be viewed in simple terms as diorama boxes or proscenium stages. They are settings that help define and c…

The locations featured in this year’s batch of shows featuring Emmy-nominated actresses can be viewed in simple terms as diorama boxes or proscenium stages. They are settings that help define and confine characters, such as the near-future dystopian Republic of Gilead or — as with the Sicilian resort setting for Season 2 of HBO’s “The White Lotus” — and give them the space explore their truer selves in ways that are alternately freeing and tragic.

One of the most challenging sites to secure was the Palais-Royal. Built in the 1630s by architect Jacques Lemercier as the personal residence for Cardinal Richelieu, it now houses France’s Ministry of Culture, Conseil d’État and Constitutional Council, which means it’s not only highly secure, it also has a wealth of governmental activities that outweigh the needs of a television series trying to grab a few shots.

“We were only allowed to have 50 members of the crew in the building, including the actors, and they only accepted us on a Saturday,” says Huynh. “We were based out of Fishkill and Newburgh, New York, which is about an hour and change north of New York City, and we had basically another hour [radius] to play with to find all these locales,” says location manager Christopher Menges.

According to Menges, their biggest location “get” was the IBM Somers Office Complex, in Somers, N.Y., which portrays the offices of fictional pioneering visual effect company LAM. Like the Louvre Pyramid, the 1.2 million-square-foot facility was designed by I.M. Pei, and features glass pyramids atop each of its five buildings. Built at the cost of $200 million, it opened in 1989 and closed in 2017.

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