She’s collected nearly every prize on the planet for her supporting turn in ‘The Holdovers,’ driven both by her soulful performance in an Academy-favorite film and a well-timed category switch from her top competition.
That’s a pretty understated way to describe the tear she’s been on this awards season, where Randolph’s performance in Alexander Payne’s The Holdovers has earned her virtually every supporting-actress trophy to claim—the SAG, Critics Choice, BAFTA, Golden Globe, Independent Spirit, and a cluster of critics prizes, including both the New York Film Critics Circle and Los Angeles Film Critics Association.
Others in the industry seemed to take stock of Randolph’s burgeoning career, which began with her 2012 Tony nomination for Ghost: The Musical, playing the same part that won Whoopi Goldberg a best-supporting-actress Oscar of her own. Roles in film—across awards contenders like The United States vs. Billie Holiday and *Rustin—*as well as TV—critically acclaimed Only Murders in the Building, near-universally reviled *The Idol—*followed.
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