After his death in 'Star Trek: Nemesis' Data's parts were auctioned and sold to collectors the world over. It was the job of 'Star Trek: Picard' prop master Jeff Lombardi to put all his pieces back in one place.
—set twenty years after Data's death—United Federation of Planets technology still hasn't caught up to the highly advanced Data, at least until Picard ran into a young woman who appeared to be Data's daughter. While Picard and the othercrew members had hoped Data might live on in the prototype , B-4's more rudimentary positronic brain ultimately proved unable to duplicate Data's consciousness.premiere and surveyed the disassembled B-4 in its storage unit.
"When we got them, they had aged in a certain way that we didn't even touch them. We didn't even want to touch them, because they had been aging in crate, like we wanted them to be, in the show, for the last four or five years," Lombardi said."No makeup or special effects did anything to them, really. We just left them as they were."props, including the Federation phaser rifle, uniform pips and the insignia combadge used by Starfleet in 2399.
Patrick Stewart took an early role in shaping the objects in Jean-Luc Picard's life with the prop master, personally picking tea cups, watches, luggage and other props from what Lombardi showed him. Stewart particularly loved a unique telescope cane Lombardi discovered, which he soon incorporated into how he imagined Picard's day-to-day life on the Chateau Picard vineyard in France.
"That's what I really love about props and working with actors, is when you can find something that they can absorb into their character and ignites a fire inside of their imagination and they start feeling more and more in the world themselves," Lombardi said.—appearing in Jean-Luc's tormented dreams—the prop android parts serve as one of the most moving memorials to the iconiccharacter.
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