We talked to costume designer Jocelyn Pierce about the film's fashion.
. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the GoogleIt’s no secret that director Sean Baker has a knack for storytelling. Whether he’s filming on an iPhone or casting first-time actors to play on-screen versions of themselves, Baker knows how to make his films feel real.
It’s hard to have one answer, because it’s a collage. Like with anybody’s personal style, it’s a collage of influence. I was thinking about it the other day, the themes of “the American dream” color so much of the film. I think, partly by nature, the fact that it’s a New York film, there’s a lot of black and neutrals and metallic. But when it comes to color, we did choose to pop blue and red. And it dawned on me the other day that it’s such a subtle hint to the theme of the the American dream.
Oh, that’s so sweet. Thank you. I think we ultimately tried to stick with really classic silhouettes. I think sometimes in film, when you’re doing something that’s so of the moment, something can look so dated or so tired by the time it comes out. I love the dress that Anora wears for her first date with Ivan. It’s that Herve Leger electric baby blue bandage dress. That to me, says so much because it’s such a classic silhouette, and that dress, that designer, it’s so aspirational.
I’m so excited. I can’t believe everybody’s seeing this film. Of course they are, you know, it’s Sean Baker. But I’ve been making indie films for like 15 years, and so often you put your heart and soul into something, and not many people see it. Sometimes making a film that’s grounded in reality is a lot harder than making a film that’s period or fantastical or highly stylized, because it’s all in the tiny details of nuance.
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