The Oscar-nominated film Parasite references an army of societal differences throughout the film, but none are as symbolic as their homes.
. The home is beautiful and avant-garde. But the pursuit of perfection was perhaps at the price of functionality. Kim revealed that when building the house, she had to fight for basics like drawers. Earlier this year,
The bunker, Moon-gwang tells the Kims, was meant to protect its inhabitants against a North Korean attack. Turns out, defensive architecture was their downfall, a domestic Trojan horse all along. Doomsday bunkers, in real life, are. Come the apocalypse—a nuclear attack, a biological weapon, or, I don’t know, a populist revolution because some people have enough fuck-you money to build extravagant doomsday bunkers for a hypothetical situation—they want a protective place to flee.
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