Cinematographer Alice Brooks breaks down the musical’s “Swimming” scene, filmed in the very same pool where Jonathan Larson once swam
Photo: Courtesy Of Netflix Moments of artistic inspiration can be notoriously difficult to depict onscreen, especially since they tend to be preceded by a lot of what seems, externally, like doing nothing. In Lin-Manuel Miranda’s film adaptation of Tick, Tick … Boom!, Andrew Garfield’s Jonathan Larson spends much of the movie unable to write what he knows will be the key song for his upcoming show, an act-two solo for its female lead.
Some of those answers came through the process of trying to find the right indoor swimming pool. After a citywide search, the film crew settled on the pool at the Tony Dapolito Recreation Center in the West Village. “The pool had these ancient patina tiles that you only have in New York,” Brooks said. “And we started noticing things, like the striped lines at the bottom of the pool, Lin thought they looked like musical staff paper.
Storyboarding After that stroke of inspiration, Brooks, Miranda, Levenson, production designer Alex DiGerlando, and assistant director Mariela Comitini worked together with storyboard artist Grant Shaffer to draft ideas for how exactly to film each sequence. After they had a rough idea of which shots they might use for the number, Brooks cut the storyboards together into animatics based on the prerecorded version of the tracks they had.
In the process of making the scene, Garfield swam back and forth for three days. His father happens to be a swim coach, “so Andrew is an amazing swimmer,” Brooks said. “It was very impressive, to be able to take off your goggles and keep your eyes open for that long underwater and act at the same time.” Garfield himself had the idea to mouth some of the lines from the song underwater, which they filmed with the help of an underwater speaker to sync up the timing.
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