It required a whole lot of detailed prompting.
I’m an enthusiastic, if strictly amateur, fiction writer. I wrote somewhere north of 150,000 words of unpublished fiction last year, so Sudowrite’s “break writer’s block” pitch isn’t that compelling to me. Writing, however, is not a task I hold inherently sacred.
“Come on,” he muttered under his breath, as he navigated the virtual world of the SynthoCorp mainframe. Once upon a time, Jack had been an idealist, hacking to expose secrets in a corporate-controlled society. Now, he’d become what he despised—a mercenary selling those secrets to the highest bidder to finance his addiction to this digital realm.and NovelAI around 2020 and 2021, and by that standard, Story Engine is extraordinarily good.
If I crafted beats precisely enough, though, Story Engine could get very close to my intent. Take part of a beat fromA song plays on the speakers in the restaurant. Use hip, detached prose to describe what the song is like. Roxanne talks to Jack and gives a highly technical explanation of the music theory behind the song. After she finishes talking, describe the lyrics and musical content of the song.
“Ah, you’ve got me there,” she admitted with a chuckle. “I work with the Curator AI to create all the pop music for Elysium.” As if on cue, a song began playing through hidden speakers — synthetic beats and haunting melodies, an echo of human emotion distilled into algorithmic precision. “Seems like just another manufactured hit to me,” Jack commented sarcastically, swirling the remnants of his drink. “Is there any real emotion left in the music you create with this AI?”
, writing from the merged perspective of Jack and the AI, a plot point that Story Engine itself had created. It wasAnd the prose was corny. It hit on a couple of fantastic lines of sci-fi pastiche — in the first chapter, Jack laments that he “never thought I’d die this way ... not in the goddamn meat.” But other attempts were just unintentionally hilarious.
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