Iggy Pop Returns to Loud, Lewd, Crude Punk-Rock With ‘Every Loser’: Album Review

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Iggy Pop Returns to Loud, Lewd, Crude Punk-Rock With ‘Every Loser’: Album Review
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Iggy Pop has always relied upon the kindness of strangers. Take “Every Loser,” the garage-punk avatar’s new album with mega-watt producer and multi-instrumentalist turned label magnate Andrew Watt,…

), a much-needed, au courant alt-rock shine beyond his Ken Nordine-like word jazz excursions, and taut, toughened melodies through which to work his lizardy charms.

Save for a few woozily ambient, spoken-word blips, “Every Loser” goes from metallic harangues such as “Frenzy” — with Iggy singing at his juvenile-delinquent finest, backed by a bevy of boyish harmony vocalists — to riff-heavy, mid-tempo rockers like “Strung Out Johnny,” where Pop’s ground-swelling baritone warble makes its gravitas known.

Tease the young-uns he might, but Iggy Pop loves his collaborators. The vocalist leans his every arch, icy and spiteful lyric reading into co-writer Watt’s grinding guitars and chunky bass lines. The revved-up rhythm core of McKagan and Smith and guest drummers like Travis Barker – along with featured friends such as Jane’s Addiction’s Dave Navarro and Eric Avery – makes for a fast-flying hurricane with Iggy as its eye.

Here, a primal-screaming Iggy sees nose jobs, con jobs and feels his throat gagging before his “Regency” regal chorus cuts close to the bone with self-deprecating glee and a take-down or two:

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