ComingSoon spoke with The Texas Chain Saw Massacre creative director Ronnie Hobbs and Gun Interactive CEO and studio head Wes Keltner.
DLC pack coming out. How did that collaboration come about? He’s an icon. He’s worked on so many great films and on some later entries of the franchise.I worked hand-in-hand with Greg on this. So how did it come to be? We knew we wanted to … you only have a finite amount of characters to work with if you’re looking at.
And that’s how we created all of the new characters. That’s how we were able to create the new family members who were around before the film but for whatever reason — a lot of the reasons people don’t know yet — why they weren’t there in ’74.
That’s where we, we stumbled upon the saw that we have, which is about … I think it’s nearly 20 years earlier. It’s like a late ’50s or so logging chainsaw, then setting with Ross , our composer and sound designer for the game, and discussing what this saw would sound like and starting with sounds that we captured from the Poulan, but then also capturing and getting other saw sounds and other saw libraries and twisting them together and changing octaves.
What’s so cool about the collab with Greg is how it shows that you are working with these outside legends and embracing just how diverse horror can be. Have you already internally been talking about some other dream collabs that, if things just come together, you would like to see down the line?It’s going to sound kind of silly, but yeah, we have those conversations probably at the very beginning of the project and we’re having conversations about things 10 years from now.
And that falls on Ronnie’s shoulders to be able to do that. He’s there for every single step of that from the first time that ink gets to the paper all the way to sitting in the mocap studio and yelling, “Action!” That’s what Ronnie’s bringing to life. So it’s a long process, from sitting down with Kim to playing it in the game. That was every bit of two years when we first started, right before we even saw those things come to life.
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