Fish gotta swim, birds gotta fly and Steven Soderbergh just gotta keep on making films, which he does with his 33rd feature narrative title, Kimi, in which the central character’s intense agoraphob…
, in which the central character’s intense agoraphobia very neatly overlaps with the all-enveloping presence of Covid. It’s a piece that feels like it was quickly made in the heat of the moment and creatively benefits from that edge. The film is also bolstered by the unsettling disruptions of norms, the feeling that the continuation of everyday existence is extremely tenuous.
You really do spend about the first quarter hour admiring her flat, a high-ceilinged, impeccably accoutered brick space overlooking other similarly well-groomed residences up and down the street. You can see why she’d rather not want to leave home, although there are even drawbacks to that, in the person of a guy across the street , who fancies spying on neighbors with binoculars.
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