Little Richard: The Riveting Showmanship and Tortured Sexuality That Built Rock and Roll

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Little Richard: The Riveting Showmanship and Tortured Sexuality That Built Rock and Roll
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Little Richard was an artist who looked and sounded like nothing that had come before—a whirlwind of showmanship, blessed with untamable wildness, and one of the greatest voices in pop history.

wrote that his ambition was “to join Little Richard.” The first songperformed in public was Richard’s “Long Tall Sally” . David Bowie said that without Little Richard, “I wouldn’t have gone into music.” Jimi Hendrix played in Richard’s band, until he got fired, and James Brown’s big break came as a Little Richard impersonator.asserts that “his DNA is everywhere,” he’s not exaggerating.

In the case of Little Richard, Cortés was signing up for a big job. There’s the need to address the underappreciated legacy of an artist who looked and sounded like nothing that had come before—a whirlwind of excess and showmanship, blessed with untamable wildness and one of the greatest pure singing voices in pop history.

In one archival clip, he argues that he was better accepted as a result of emphasizing his queerness ; in another, he tellsthat “I was one of the first gay people to come out” before “God let me know that he made Adam to be with Eve, not Steve!” And at the peak of his fame, he has a vision that angels save his flight to Australia from crashing, renounces rock & roll and its decadent lifestyle, and enrolls in Bible school.

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