In an era when few if any producers were women, she got access to the Kremlin, China and more.
, the wife of one of her husband’s clients and a creator of the long-running radio and television series “Meet the Press.” They started a program for the WOR-Mutual Broadcasting System that year called “Capitol Close-Up,” which profiled powerful figures.
One contentious episode was on American policy toward Cuba, where Fidel Castro had taken power in 1959, leading to increasingly hostile relations and an embargo. “We went into areas denied Russian TV cameramen,” Ms. Jarvis, who was credited as associate producer, told The Boston Globe. “About the time we were concluding our filming, the Cuban situation” — the Cuban missile crisis of October 1962 — “broke out. We finished rapidly and got out fast.”,” the French, protective of the museum’s artworks, put almost as many obstacles in Ms. Jarvis’s path as the Soviets did for “The Kremlin.
The program, The Globe wrote, was “a penetrating look at the frightening impasse reached when scientific advances have outdistanced the conventional laws of economics.”
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