“Well f—k, I want to sing that.” Marcus Mumford and Maren Morris on recording ‘Look at Me Now (Honeycomb),’ modernizing the song and singing their version live.
“I was kind of pissed at him too, because I knew he didn’t grow up as a singer, and he sang the hell out of that recording. I was like, Fuck you, man. I’ve done this for years, trying to get to sound good. You just swoop in with your chiseled jaw, and fucking smash it out of the park, first time. It feels unfair.”
Longtime friends and collaborators, Mumford and Mills penned the fiery back-and-forth between Keough’s Daisy Jones and Claflin’s Billy Dunne while working on his latest record at Los Angeles’ Sound City Studios. “This was honestly a fun distraction in the middle of what was quite an intense session, when we were writing those first songs togetherSo it was a relief imagining writing from the point of view of characters,” Mumford says.
There’s no question which character the Mumford & Sons front man found it easier to write for. “I love tapping into denial—I’m a Billy guy,” Mumford says. “There’s a song on my record called ‘Prior Warning,’ which is a version of ‘Look at Us Now,’ lyrically, anyway. So there were some correlations in my story and Billy’s, Daisy coming in and being like, ‘You’re full of shit, dude.’ I’ve had people close to me in my life who have played that role.
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