Marlowe review: Liam Neeson can't save this misguided detective noir

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Marlowe review: Liam Neeson can't save this misguided detective noir
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Marlowe review: Liam Neeson's particular set of skills can't rescue this noir misfire

loom over everything—even the Marlowe novels that pre-dated them—the way Connery’s sneer and Craig’s pout now loom over everything James Bond.If clearing the table of old icons is the point, it doesn’t work. It can’t. Because as Philip Marlowe, Liam Neeson is woefully—make that balefully—miscast, by any yardstick other than Chandler’s description of Marlowe’s excessive height. Give Liam credit for trying, though.

Marlowe has seen it all—he’s a voyeur of the very worst human behaviors, and he’s world-weary to a fault. Liam is just plain weary—laconic, not iconic. Where Bogie and even a comparably aged Robert Mitchum were able to convey Marlowe as a man who at least remembers what caring felt like, Neeson is going through the motions of going through the motions. And the age thing doesn’t help.

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