It doesn’t matter if “Marry Me” is good or bad (though it’s certainly not brilliant). Checking off every rom-com cliché and rehabbing J. Lo’s image, it’s everything a fan wants.
. Who accepts the credit for shouldering the burden of reviving the mid-budget, tried-and-true romantic comedy by spearheadingeven though it’s unclear if anyone ever offered her that credit or even asked her to revive it in the first place.
There is a nefarious genius to it all. Jennifer Lopez creates a throne, tells us there’s a throne, and then ascends it. In the film, she plays an alternate version of herself filtered through the glow of a romantic-comedy lens so that we might empathize deeply with her, our heroine. She created an entire soundtrack of new music that her character, Fake J. Lo, performs throughout the film, with the script informing us that these are the greatest and most popular songs to hit the airwaves in years. Gaslit, you agree. and, more, panned it.
They will say to themselves, “This is so average,” and they will not care! They will relish in the unflappable charisma of Jennifer Lopez. They will reflexively smile so big their cheeks hurt when the final act grand romantic gesture unfolds. They will shed a tear for love. For what is fake cinematic romance, if not the greatest love of all?
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