In our new interview, MoonKnight cinematographer Andrew Droz Palermo takes us through the process of collaborating with Oscar Isaac to fully capture Steven Grant and his alters, as well as how various new MCU locations were brought to life:
Cinematographer Andrew Droz Palermo reveals how he brought Marvel's Moon Knight to life. The Marvel Cinematic Universe continues to expand at a remarkable rate, but Moon Knight is unlike any other MCU TV series yet to air on Disney+, posing real challenges for the creative teams tasked with bringing the show to life. Its protagonist, Marc Spector, has been diagnosed with Dissociative Identity Disorder, which means star Oscar Isaac has to play several different alters.
Of course, there's a lot of CGI characters in Moon Knight. The same methodology applied with having someone on set who could provide a Khonshu head on a stick to give us a sense of how tall he might be, or an actor who could stand on a platform to be approximately the same height. The methodology is the same.
Screen Rant: I love the Khonshu interactions, and the earlier ones have this horror-style where you get the sense that Steven is so vulnerable and small compared to Khonshu. How did you create that sense of vulnerability? Andrew Droz Palermo: It is incredibly different. Each one, we would approach as its own challenge. Not every time would there be a sensible reflective surface. But in the storage locker, let's say I wanted to try out a reflective metal. It works best when the other side of the conversation is a bit diffused or a bit blurry; he couldn't see himself perfectly clearly in a mirror. It had a bit more mystery to it.
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