On the Road, Ethel Cain Is Looking Out for People from Home

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On the Road, Ethel Cain Is Looking Out for People from Home
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  • 📰 TeenVogue
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“I've always said that [Ethel] is kind of a bad timeline version of what I think would happen if you didn't take care of yourself. If I ever find myself crossing paths with her again, I think it will be time to make some changes.” ⬇️

tells a story set in 1991, written by and starring singer-songwriter Hayden Silas Anhedönia, which unfolds as a one-person play when seen live. In the album, Ethel flees from the strong grasp of her religious childhood into the arms of a terrific and dangerous romance. Anhedönia couldn't just write the life and death of Ethel Cain — to make it real, she had to fill in the blank pages of Ethel's aesthetic sensibility.

The solitude and silence during which Ethel Cain cut her teeth, roughly four years, is a time capsule for Anhedönia — but she couldn't live in character forever. "I feel a lot less like that character than I used to, but that's also kind of the point," she says. “I've always said that [Ethel] is kind of a bad timeline version of what I think would happen if you didn't take care of yourself.

Anhedönia is far from finished with world-building and writing characters. She often makes the same joke when talking about the future of Ethel Cain: something to the effect of, "She definitely will evolve. Well, she's not gonna evolve because she's dead." But then she launches into where Ethel's world is going next. The women in Ethel's family, her mother and grandmother, will have stories to add to the anthology.

Anhedönia's urge was to put as much production into her set as she did in the making of Ethel Cain, but "the music is so simple and so straight to the point that I was like, 'I think we just gotta go up there and do it.'" She and her band don't coordinate outfits — she hardly plans what she's going to wear herself. "Half the time, I wear clothes the audience gave me the night before.

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