Looking at three biographies, two about J. Robert Oppenheimer and one about Christopher Nolan, alexL_E_I examines Oppenheimer as the filmmaker's most mature, personal movie yet:
Interstellar
While many of Nolan’s films are made up of material sourced elsewhere, whether that be comics, novels, other films or even a short story his brother wrote,is by far his most ambitious work of adaptation, working to condense 700-some pages of dense biographical material into a three-hour movie. The film moves at a rapid pace, covering multiple decades of scientific advancement, court-like hearings, communist subversion and, of course, the “race” to build the world’s first atomic weapon.
Nolan’s technique of running scenes so fast that they are almost cut like trailers plays well in the breathless narrative.accelerates like particles shot through a cyclotron, until it breaks apart like the atoms in the “Gadget” and the whole earth stands still.
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