Rahul Malhotra is a Weekend News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once. He has been writing for Collider for over two years, and has covered everything from Marvel to the Oscars, and Marvel at the Oscars.
The Big Picture Oscar bumps at the box office are a fairly common phenomenon in the film business. They’re a major reason why studios spend millions on “for your consideration” publicity campaigns during the awards season. The goal, like most things in the industry, is to get more people to buy tickets and boost box office totals.
Oppenheimer famously debuted alongside Greta Gerwig’s blockbuster Barbie — a pop-cultural phenomenon that became known as the “Barbenheimer” double-bill. The movie has since made nearly $330 million domestically, and almost $965 million worldwide, becoming the highest-grossing Best Picture winner in over two decades.
On the other hand, Madame Web has delivered the kind of box office performance that has rattled Sony’s future plans for its series of Spider-Man spin-off movies. Madame Webeffectively ended its theatrical run with less than $45 million domestically and on the cusp of hitting the $100 million milestone worldwide.
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